If you loved The Secret of Kells

http://www.lookingcloser.org/blog/2017/03/20/if-you-loved-the-secret-of-kells/

http://www.lookingcloser.org/?p=107726

For the grand finale of my film-focused research writing course at Seattle Pacific University, I treated my finals-weary students to a screening and discussion of The Secret of Kells. I didn’t even realize until I was loading up the movie that, lo and behold… it was St. Patrick’s Day. And so, another audience fell in love with one of the most extraordinary animated movies ever made.

The Secret of Kells becomes more precious to me every time I see it — and every time I listen to the soundtrack. And I’ve watched the follow-up film, Song of the Sea, become a favorite to so many moviegoing friends.

So my pulse quickens watching these teaser videos for Wolfwalkers. Tomm Moore and his amazing Cartoon Saloon team are making magic again. Thanks to Ken Priebe for bringing this to my attention soon after it was posted today!

Embracing dangerous neighbors in Of Gods and Men

http://www.lookingcloser.org/blog/2017/03/19/embracing-dangerous-neighbors-in-of-gods-and-men/

http://www.lookingcloser.org/?p=107719

I recently posted a review of Martin Scorsese’s Silence that was written by a high school student who took my online film course called “Viewer Discussion Advised.”

Today, I’m sharing another review by a first-time film critic who took that class with me over seventeen weeks. Her name is Martha-Grace Jackson, and she’s in eighth grade. She watched a film that I doubt many eighth graders have seen — an extraordinary drama about Trappist monks in Algeria: Of Gods and Men, directed Xavier Beauvois. And if she writes like this in eighth grade, well, I will want to see what kind of reviews she’s writing when she finishes high school. (I’ve done only a bit of copyediting here for this publication.)

In Xavier Beauvois’ film Of Gods and Men, eight French monks must decide whether to leave the war zone they live in and return to the safety of France, or to stay with the people in their village who cannot leave. Will they return to France to save their own lives and leave the people behind? Or will they stay and continue to aid them?

Their village is an Islamic terrorist war-zone in Algeria, and the government there is not helping much. The monks provide medical and physical care for the people living in the village, many of whom are refugees. The monks are Christians, though the people in their village are an eclectic mix of religions, many of which are Muslim. Part of the monastery is a hospital and brother Luc (Michael Lonsdale) is a doctor, probably the only doctor in the area. Their leader, Christian (Lambert Wilson) is of the opinion that they should stay and many of the other monks are unsure. The monks believe that there are more ways to beat the terrorists than by killing them. They continue to minister to the people despite opposition and danger.

The screenplay is simple and the only music you hear is that of the monks chanting. All of the Algerian scenery portrayed is beautiful and calm. True to the time and events, the costumes are simplistic. The uncomplicated nature of the film places the viewer in the monks’ place to see the situations through their eyes. The movie’s minimalist approach achieves the aspect of truth in the movie.

The film, which is beautiful in many ways, is sometimes hard to follow and difficult to grasp. (I am sure it would be easier if I was a native French speaker.) The portrayal of the government in particular is confusing because the monks are in opposition to it in certain ways but in other ways they seem to be in agreement.

The movie emphasizes the impact for good that empathy can have and the impact for evil that violence has. The ways in which the monks empathize with the people are unusual; they ask for no payment or recognition, and they work for Christ and not for other men. They also empathize with the terrorists and are sorrowful when their leader is cruelly killed by the government. There is more than one way. Violence is not the only or the best way to combat evil.

If I was in the situation that the monks were placed in, I would be sorely tempted to return to the safety and comfort of home. Many people would probably tell me that that was a good decision and to care for myself above all else. The film was inspiring to me because the monks were selfless and humble. They cared so deeply for the people, more deeply than they cared for their own safety and comfort.

This film is a meaningful, inspiring picture of Christ-like love for others. The monks lay down their lives for the people. I would recommend this movie to people, but tell them to come to the film with an open mind and to wisely consider the monks’ actions.

Martha-Grace Jackson is an eighth grader from Charlotte North Carolina. She is child 2 of 7, a serious violinist and pianist, teaches some young students, and enjoys studying Greek and Latin. She also enjoys crafting, listening to podcasts, and reading fantasy fiction.

Q&O: What should I see this week?

http://www.lookingcloser.org/blog/2017/03/16/qo-what-should-i-see-this-week/

http://www.lookingcloser.org/?p=107716

Q:

It’s the post-Oscar-season slump, when studios typically dump their trash into theaters. If I have an itch to go to the movies, what rates as something better than dumpster diving?

O:

You’re right — a lot of “leftovers” are wasting space on the big screen right now. But take courage! You can make good use of your moviegoing time.

Teaching classes at four schools, I’m finding it hard to make time for this March moviegoing madness. But I’m glad I saw The LEGO Batman Movie. (Here’s my review.)

I liked A United Kingdom, mostly because the two lead actors elevated rather mediocre material. (Here’s that review.)

If you haven’t had a chance to see I Am Not Your Negro, make the time. It is an extraordinary experience, and it’s meaningful to celebrate the prophetic voice of James Baldwin with a moviegoing community. On the big screen, the subject gets the honor he deserves. I haven’t reviewed it yet. Why? It demands substantial attention, and I get emotional when I think much about it. So I’m looking for a window of time in which I can do the subject justice.

More recent releases — I’ve heard great things about Get Out, and I cannot wait to see it! I’ve heard mixed reviews for Logan. And you’d have to pay me some good money for me to spend any time watching Kong: Skull Island or The Shack.

But the movie I’m most excited about seeing in a theater this month? Kedi.